The Frenchman’s account of his descent into depression and treatment in a psychiatric hospital is an amazing feat of ‘self-cannibalisation’
has done something doubly amazing: he’s pioneered a unique and captivating new way of telling a true story, and he’s made it look easy. Or at least, he makes iteasy for the reader. His fiendishly personal “nonfiction novels”, which encompass subjects such as dissident Russian literature or the story of early Christianity, unfold in a condition of perpetual climax, locked to a point of fascination from first page to last.
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