'Of course, my work flows between men’s, women’s, and Miu Miu, so it’s like a triangle. But basically I’m trying to make men more sensitive and women stronger.' - MiucciaPrada
STANFILL: What else were you thinking about?I wanted to make this collection sweet, which is taboo in fashion. I knew it was such a difficult subject that if I didn’t have the right concept, then I wouldn’t do it. I worked with sweet materials and shapes: Sangallo lace and Swiss rebrode lace and pastel colors. Little by little, it started coming together. By chance, I received a picture of a new work by Walter De Maria and it showed the exact same car I was working on.
PRADA: I would say there is no Prada woman. I’m interested in women in general. I don’t have any kind of preference. I do what I think is right.PRADA: No, absolutely not. We change according to the subject.PRADA: Usually they are Italian or French, but some of the French producers are in great difficulty—and so are some of them here, too. I get so passionate about fabrics and prints, and we are able to do and redo, and we experiment with so many different techniques with these producers.
PRADA: The exhibitions there are much more difficult than the ones here. The palazzo itself limits possibilities. We are building a new permanent space for the foundation, here in Milan, and I think that when we have the building, it will be easier because there will be many different spaces so we can also do a lot of quick, small, clever shows, where everything doesn’t have to be so thought-out. More movement, more improvisation.
PRADA: Today, yes, it is international. There was a moment, I’d say in the ’50s, when Italian haute couture was probably copied a little bit by French designers, but I’m not so sure now. And later there was a big moment for designers, like Armani and Versace. Now, I would say, it’s very international.
For spring, it is the idea of traveling freely and taking risks . . . It’s about a woman’s role as a symbol of possibilities.STANFILL: Well, I suppose it’s the same thing that happened in France . . . So back to Prada and the bigger picture. Thinking about the future of the label and your legacy and passing the baton to the next generation, where would you like Prada to be in 20 years?
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