This time, for Miu Miu‘s spring 2023 show, which will be staged Tuesday at the Palais d’Iéna in Paris once again, Prada is collaborating with Chinese artist Shuang Li, who conceived a video and set installation.
WWD: How did you approach the design of the set and seats? What guidelines did you receive from Miuccia Prada or what kind of exchange did you have?From the beginning I was encouraged to approach it as if it were an exhibition of mine with a live element. Instead of receiving guidelines, it was more of an organic development process between me and Mrs. Prada as well as OMA and the entire Miu Miu team.
Miu Miu’s timelessness is born out of impact of the ‘90s, an era that marks the beginning of a burst in communication, individuality, etc., and which has resonance in my work, and in many ways, is still propagating in the ways we think of a new kind of classic, but also the current cultural zeitgeist — it’s no surprise that Mrs. Prada’s sensibilities then are still as relevant and attuned to the moment of now.
But also artworks in general — the message they try to convey is usually not the message people receive. I’m constantly asked to explain my work and the cultural background to which it relates. But there seems to be so much explaining to do, and still so much that is lost in translation, partially if not completely. After I moved to Geneva, one day I was walking around the neighborhood and walked into a graveyard. I tried to read the French epitaphs using Google Translate.
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