The filmmaker’s new movie reinvents the rock documentary the same way he reinvented the biopic with I’m Not There.
Partly he does so by not asking the past to answer to the future. He respects viewers’ intelligence enough to assume we probably know what happened next, or can draw the connections for ourselves—in part, if we wish, by watching his 1998 glam-rock era tribute feature,, which this film retrofits as a sequel.
,” such that when they finished, there would be a full five seconds of silence before anyone recovered enough self-possession to start clapping.Those harmonic overtones serve as a metaphor that drones in the background throughout the film. They stand for the ineffable alchemy of collaboration, in which, as Cale says, two plus two ends up making seven. And that’s not just the alchemy between Cale and Reed and the other band members. It’s between them and Warhol.
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