A war of words has broken out between the filmmakers who have brought audiences two different versions, nearly two decades apart, of the real-life mystery behind The Staircase. French director Jean…
De Lestrade and his team enjoyed privileged access to Michael Peterson and his family during the trial and years that followed, and Campos’s drama highlights this close connection, including a romantic relationship between Michael Peterson and the documentary’s editor Sophie Brunet.
The drama also depicts the documentary team exerting their editorial control in ways that, it is inferred, could have swayed legal decisions regarding the widower’s fate. De Lestrade, who sold Campos the rights to the story and gave him access to archives, told the Times of London of his fury at how these events were depicted in the drama: “I couldn’t believe it, it was so inaccurate.”“We gave [Campos] all the access he wanted, and I really trusted the man. So that’s why today I’m very uncomfortable, because I feel that I’ve been betrayed in a way.”
In the magazine, Brunet also stressed that her relationship with Peterson only began much later than depicted in the drama, finished before she had finished editing the film and that her editorial decisions at the time of making the documentary weren’t compromised.
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