Settle in for some good, short sci-fi.
has made good on its name by offering myriad animated shorts spanning sci-fi and horror — and occasionally both at the same time. It’s been bloody and visceral but also frequently uneven. For every smart treatise about the nature of humanity, there was a gorefest that was bloody and shocking and little else. But with, we get arguably the strongest collection yet: nine genre shorts without a weak link among them.
Perhaps the most impressive thing about the third season is how varied the shorts are, which range from seven to 21 minutes long. My personal favorite is “The Very Pulse of the Machine,” directed by Emily Dean, which follows an astronaut stranded on Jupiter’s moon Io. As she drags the corpse of a dead colleague back to safety through a desolate landscape, she starts hallucinating… probably. It could be the drugs keeping her alive, or it could be the-inspired planet speaking directly to her.
Other highlights include David Fincher’s “Bad Travelling,” a horrifying tale of a group of sailors accosted by a gigantic hungry crab who forces them to reevaluate their priorities. It’s notable not just for its moral dilemmas but also the terrifying realism with which it renders its monsters and viscera. It’s the stuff of nightmares.
There isn’t necessarily a through line connecting the nine films beyond the fact that they’re all animated shorts that explore sci-fi and horror. Some have lots of blood and some are deep contemplations of the future of humanity — and some have both. But that connective tissue isn’t really necessary here when each of the shorts is so distinct and interesting. Yes, you get lots of death and robots .
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