Tim Miller and Jennifer Yuh Nelson Interview: Love, Death & Robots Vol. 3

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Tim Miller and Jennifer Yuh Nelson Interview: Love, Death & Robots Vol. 3
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We chat with two of the creative forces behind netflix's LoveDeathRobots, Tim Miller & Jennifer Yuh Nelson, and the work that goes into each animated sci-fi world and the episodes they themselves directed:

Netflix's Love, Death & Robots is back for volume 3 of the ambitious adult animation anthology. The show is known for its hardcore sci-fi, fantasy, horror, and comedy shorts, and the third season delivers even more animated genre entertainment.

Tim Miller: Oh, we always hoped that it would be more than one. In fact, we kind of enticed Netflix with just let us do this one and we'll prove that. Jim Cameron had an interesting analogy. He said the fans of this material are like the dark matter of the universe. We know they're out there, we can feel their pull, but you need to do something like this to bring them into the light. And, not that they're like roaches or anything... terrible analogy.

Tim Miller: I would prefer not to say, but I wouldn't say - we don't typically go and approach anybody - but there are a lot of fans of the show, and in the genre world, all those guys and girls, and women, are interested in doing animation in this kind of material. So there's a lot of love for it, even in people that you would think of with live action primarily, there's a huge love for animation. That's why David's doing it. With a long lead.

Tim Miller: But I've got to tell you, working on a movie for two years, if you are doing your job properly, it's all you think about seven days a week, 24 hours a day. And no matter how interesting Terminator in the future and everything else is, it's an intellectual desert of a sort where you're working on one product for so long.

Tim Miller: Yeah, it's crazy, but the endings are so you can win or lose in that final moment and walk away satisfied or not. And so we always put a lot of care. We put a lot of care in everything. But particularly there. Somebody in the movie business once told me that if the first and third act are good, the second act can be shit and the audience will still feel good. I don't take that attitude to heart, but there's particular focus on satisfying ending to me.

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