After countless concerts in arenas and stadiums, Madonna is on tour playing rooms as small as any she's played in decades.
,” for which she was backed by more than a dozen vocalists thwacking out a Cape Verdean beat on hand drums held between their thighs. There was also a rendition of “Sodade,” well known to fans of the late Cesária Évora, and a retooled “La Isla Bonita.”
And another, set to the disco-ish “God Control” from “Madame X,” found the singer and several of her dancers in Revolutionary War garb as they battled police in modern-day riot gear. “I’ve got a lot of things I’ve got to get off my chest tonight,” she said. What some of these set pieces were supposed to mean — let alone how each was supposed to link to the others — seemed less important to Madonna than such concerns used to be.
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