On Sunday morning, I led a videoconference with our editorial team to brainstorm ideas and map a strategy for our continuing coverage of the outrage and protests sparked by the May 25 death of Geor…
On Sunday morning, I led a videoconference with our editorial team to brainstorm ideas and map a strategy for our continuing coverage of the outrage and protests sparked by the May 25 death of George Floyd. The unarmed black man died after a white Minneapolis police officer jammed his knee into his neck and held it there for nearly 9 minutes as he lay handcuffed on the ground.
“And covering these protests has been really emotional for me because this means that while I am working, I am focusing on processing as both a Black person — and grieving for the loss of more Black lives — while also worrying for the journalists in the field of all races and creeds who are being targeted while simply doing their jobs.”
But, honestly, those of us who are seeing the shocking images on social media of police brutality being played out before our very eyes have a hard time turning away from the violence that has ensued. Our Artisans editor Jazz Tangcay recalls that the summer she moved to L.A. from London in 2014, the murder of Brown, an 18-year-old Black man who was fatally shot by a white police officer in Ferguson, Mo., was consuming the news.
Another of our senior reporters, Audrey Cleo Yap, says the former artistic director of the L.A.-based Asian American theater company East West Players told her years ago that issues of inclusion can be likened to hosting a dinner party and asking all of your guests how they can be best accommodated: What are their dietary restrictions? What do they need to feel welcome at the table?
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