Op-Ed: How isolation is a golden opportunity for musicians (via latimesopinion)
The click of my heels on wood resonates through my living room. If I were to hear the sound of my own shoes when walking off the concert stage, it would mean that nobody clapped at the end of my performance.
For musicians, the move from actual concert hall to virtual concert hall signifies a change in our emotional relationship with music. One of the most narcissistic elements of modern society — streaming on social media — is allowing musicians to commune with their art form on an entirely different, intimate level., who died on Aug. 2, is likely to have enjoyed the irony of this. Fleisher taught his students about playing music for music’s sake.
Suddenly, time to commune with the music is all we have. Performers cannot survive for long without a live audience and a stage, but the coronavirus quarantine is a sudden chance to recalibrate ourselves. Without the pressure to fill a large hall with sound or to practice for countless hours for a concert date, we are able to reach into the music for its own sake. We play for pleasure and share it, if and when we feel like it.
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