In an interview with Jezebel, director Robert Greene discusses his experimental approach to filmmaking and therapy
which debuts on Netflix today, confronts and thereby attempts to mitigate the memories that haunt its participants most. The project gathers six survivors of sexual abuse by priests in the Catholic church—Joe Eldred, Mike Foreman, Ed Gavagan, D
And try he did, in a process that was three years in the making . Greene talked to Jezebel about his filmmaking philosophy, borrowing from drama therapy, and the safeguards he had in place for his subjects. An edited and condensed transcript of our conversation is below. I mean, we did not do drama therapy in the film, but we definitely inspired by the ideas of drama therapy. I think the film is really a conversation between the things that I had been working towards and then the things that she is is working towards. And that’s what’s so cool about it. Like, I think you kind of come up with a new language.
the victim services coordinator. She was in the Kansas City diocese at the time. You see her openly working with them. She absolutely is a good person who tried to help us, and I think she rallied other good people trying to help us.
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