“In my work I am telling the story—this African American side—of the American life. History is the story of men and women, but the narrative is controlled by those who hold the pen,” Bisa Butler writes.
Most of Butler’s previous portraits were based on World War II–era photographs of African Americans, found in the same Farm Security Administration database as Dorothea Lange’s famousat Claire Oliver, save one, Butler chose to reach further back into history, with source photos dating from 1870 to 1910, featuring black people whose names were not recorded.
After she chooses her source photographs, Butler sketches out an initial vision of each portrait, and then starts the real work on her longarm quilting machine. She uses fabrics from Ghana , Nigeria, and South Africa, many of which are steeped in meaning, whether overt or personal to Butler’s vision.
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