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filmed the story of Ivan Orloff, a swarthy Eastern European immigrant, and his unnamed and beleaguered wife, directly applying Tocqueville’s ideas.
Ivan learns the lessons that will make him a citizen: his wife is not a beast of burden; he cannot beat her; and he, not she, should till the fields while she makes dinner, puts flowers on the table and leads them in saying grace. Using an immigrant’s assimilation story, Blaché crystallizes the place of American femininity in citizenship—elevated, disenfranchised and domestic, implicitly white and bourgeois, a key symbolic prop for masculine suffrage.
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