Lady Gaga's return to dance-pop is more subdued than it appears, especially against the backdrops of a global pandemic and roiling protests against police violence
“Earth is canceled, I live on Chromatica,” she told Apple Music’s Zane Lowe in early March, and back then you took her sci-fi sloganeering as a characteristic rhetorical flourish — a dramatic way to finish off her stint as a historically minded balladeer.
Lady Gaga isn’t the only artist facing that predicament. The past few weeks have been oddly rich with strong new dance-pop — think Doja Cat’s disco hit “” or Dua Lipa’s crisp “Future Nostalgia” album — even as Billboard has suspended its national club chart for the first time since the chart’s inception in 1976, according to a representative.
Nor is Gaga the first style-hopping pop diva to seek creative renewal under a glittering disco ball. Given the cool reception that greeted “Joanne,” the thumping “Chromatica” can remind you of Madonna’s 2005 “Confessions on a Dance Floor,” which she used as a comeback following its widely unliked predecessor, “American Life.” Yet there is something novel to how neatly these two frameworks align on “Chromatica,” whose origin story already feels like a vestige of some ancient time.
Certainly the pandemic shaped Lady Gaga’s rollout of the album, which might’ve been seen as ideally suited to a moment when dancing provides an enormous amount of the energy on TikTok. But viral dance clips on the trendsetting video-sharing platform tend to boost songs by lesser-known artists —
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