Since Spike Lee burst onto the scene in 1986, the timeliness of his movies has been the filmmaker’s calling card — with Lee assembling a body of work that meditates on world events in a way t…
) as they return to Vietnam to recover the body of their fallen leader and the gold they discovered and buried decades ago. But time hasn’t been kind to these war heroes and audiences begin to notice the cracks in the friendship and in the men themselves, after battling racial inequality, PTSD, money woes and family troubles after the war.“I did a film about World War II — “Miracle at St.
“I come from a long line of educators. And as an educator, I can’t be one of these people saying that the young generation is ignorant because they will know something. If the younger generation doesn’t know something, it’s because the older generation did not teach them — and when I say younger generation, I mean Black, white, brown, everybody,” Lee says.
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Spike Lee breaks down the explosive 'Do The Right Thing' scene between Mookie and Pino'I wanted to deal with that syndrome where people might toss around the word ‘n—r,’ but some of their favorite athletes or entertainers are black,' Lee explains to EW. 'How does a person reconcile that?”
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Spike Lee Cautions Against 'Defund The Police' Message, Warning Trump Tries to 'Twist the Narrative''We’ve got to be careful what we say because one or two wrong words, they’ll twist that thing around and the narratives change,' the filmmaker warned.
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Spike Lee reportedly compliments Drew Brees for standing up to Donald Trump in meeting with SaintsDrew Brees addressed an Instagram message to Donald Trump after the president criticized him for apologizing for his protest stance.
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Spike Lee Still Believes America Will Do Better: 'As Jesse Jackson Said, Keep Hope Alive'Spike Lee is holding onto hope that things will get better: 'Keep hope alive'
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Readers on Spike Lee, Ivanka Trump, Confederate statues, racism and white complicityReaders respond to our interview with Spike Lee, Bible quotes by Ivanka Trump and columns about racism, white complicity and TV coverage of protests.
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