'WhereTheCrawdadsSing is at once a mystery, a romance, a back-to-nature reverie full of gnarled trees and hanging moss, and a parable of women’s power and independence in a world crushed under by masculine will.'
) has grown up all by herself in a shack on a marshy bayou outside Barkley Cove, N.C. When we meet her, it’s 1969 and she’s being put on trial for murder. A young man who Kya was involved with has fallen to his death from a six-story fire tower. Was foul play involved? If so, was Kya the culprit? The local law enforcers don’t seem too interested in evidence. They’ve targeted Kya, who is known by the locals as Marsh Girl.
All very dark. Yet with these stark currents in place, “Where the Crawdads Sing” segues into episodes with Kya as a teenager and young woman, and for a while the film seems to turn into a kind of badlands YA reverie. Kya may have a past filled with torment, but on her own she’s free — to do what she likes, to find innovative ways to survive , and to chart her own destiny.
The English actor Daisy Edgar-Jones, who has mostly worked on television , has a doleful, earnest-eyed sensuality reminiscent of the quality that Alana Haim brought to “Licorice Pizza.” She gives Kya a quiet surface but makes her wily and vibrantly poised — which isn’t necessarily, but it cuts against our own prejudices, putting the audience in the position of thinking that someone known as Marsh Girl might not come off as quite this self-possessed.
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Movie review: ‘Where the Crawdads Sing’ lacks gritBased on Delia Owens’ wildly popular best-selling novel of the same name, “Where the Crawdads Sing” is ostensibly a story of struggle, survival and tenacity — one where a young woman named Kya grows like a flower through concrete in a harsh 1950s and ’60s world, despite the best efforts of a callous and often cruel community. But it plays more like a glossy Nicholas Sparks-flavored melodrama than a tale that actually has any meaningful connection to the messy real world — wetland or otherwise.
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