Despite a new setting and fresh faces, 'Westworld' reverts to familiar tropes in Season 3. Alan Sepinwall's review
, and it looked like as fresh a start as a show this prominent could make several years into its run. Heck, it even suckered me back in after I’dSeason Three does, in fact, start out feeling like a brand-new-ish show, one that incorporates the strengths of the first two seasons while mostly casting aside the more self-indulgent parts.
Luke Hemsworth’s Stubbs, the former Westworld security chief, somewhat shockingly becomes the most consistent source of humor, given how fed up he is with everything happening. But staying in a bad relationship in the belief that you can fix your partner almost never works, because asking them to be only their best and none of their worst is asking them to become an entirely different person. People don’t work like that, nor do huge, premium-cable sci-fi spectacles. So, within short order, the newThe second episode brings the action back to the park, where Maeve is still trying to reconnect with the daughter who was sent into a kind of digital heaven.
The creators’ assertion that this season would be less of a guessing game proves accurate. Many important pieces of information are still held in reserve for a moment when they can perhaps provide the most shock. In the process, however, they hamstring different story and character arcs. Last season, Bernard temporarily put Dolores’ mind into a robot copy of Delos executive Charlotte Hale , before Dolores eventually wound up back in her own synthetic skin.
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