As a rule of thumb, when adapting something, changing the tone and/or style for the new medium is a wise move — so long as the rethink fits or improves the original. If only that were the cas…
”) is Sidney Stratton, a largely gauche scientist boffin in a working-class northern mill town who dreams of creating a fabric that repels dirt and never wears out. It’ll be a boon for all concerned, symbolized by his washerwoman landlady who will be able to give up her job and spend her time in the long-dreamed-of holiday resort of Blackpool.
From the cliched opening scene of busy townsfolk milling about to little effect, a depressing degree of generalized predictability hovers over the staging, punctuated by clumsy exposition. “1956 is going to be my year!” cries ever-smiling, cheeky chappie Jimmie , in case we hadn’t gathered the era from the clothes. Jimmie plays guitar and sings in a skiffle band that is wheeled on and off to provide plot-underlining, boisterous songs.
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