Vogue editors on their favorite moments from the Spring 2020 collections.
show and Balmain’s before it, many editors missed Satoshi Kondo’s debut for this Japanese house. For those who got there , it was the most invigorating show of the season. While the clothes were pretty typically Miyake-ish, it was how they were presented that impressed.
No moment encapsulated the message more than when three dresses were lowered from the roof onto the hands-upraised bodies of models below, who then started bouncing—a bit Muppet-ish-ly—to Afrobeat, surrounded by similarly dressed colleagues. It seemed simultaneously futuristic and primitive. This being Miyake, the pleated sponginess of the garments made it appear as if the dresses were dancing, out of time but elegantly so, against the models.
In Milan, the jungle theme was obsessive and was represented in two completely opposite ways: as a triumph of all-out glamour by
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