The collection was photographed and filmed in one of Vivienne Westwood’s favorite places, Shakespeare’s Globe in London.
paid tribute to the late designer with a powerful collection that was photographed, and filmed, in one of her favorite places, Shakespeare’s Globe in London., recited lines from Shakespeare’s Sonnet 18, “Shall I compare thee to a summer’s day?” in a variety of languages, as they roamed around the stage and posed in the theater’s dressing rooms, corridors, and elevators.
The collection’s shoot, and accompanying short film, embraced Shakespeare’s gender-fluid characters and use of impersonation and disguise to move his plots along.There was nothing costume-y about it. Instead, this was a lineup of dramatic, wearable clothes in a muted color palette that took its cues from the paintings of Francois Boucher, another of Westwood’s favorite creators.
There were curvy denim jackets and vests with frayed edges and tapestry linings; languid hemp-blend knits covered in faded vegetable dyes; jackets with built-in wrinkles on the pocket flaps and lapels; and saucy, off-the-shoulder dresses made from men’s shirt fabrics. The team also looked back in time, and mined the vast Westwood archives. They came up with sparkly, knitted skirt combos with an old Hollywood – and disco – vibe, and cast bits of Boucher’s “Kiss of Hercules and Omphale,” onto diaphanous dresses and stretchy tops, all with the unmistakable Westwood stamp.EXCLUSIVE: Louis Vuitton's New Handbags Are Like Miniature Art to Go. We use vendors that may also process your information to help provide our services.
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