Shyamalan’s latest thriller is about a serial killer trying to escape from police at a pop concert.
. The comparisons were reasonable, but never quite right. Yes, Shyamalan, like Hitchcock, made twisty suspense movies. But unlike Hitchcock, Shyamalan’s almost always came with some sort of supernatural bent. The guy was dead all along. The dude who survived a terrible train crash was an honest-to-god superhero. The apocalypse begins, and only one couple’s noble sacrifice can stop it.From the latter, Shyamalan borrows the premise of a lurid, murderous melodrama largely set in a single location.
Shyamalan also gets a terrific lead performance out of Hartnett, who manages to find just the right balance between disturbing — and Cooper is often genuinely scary — and hilariously funny, as when Cooper accidentally walks into a nest of waiting SWAT snipers and has to think up a convincing lie on the spot. Cooper is sure to become one of the actor’s signature roles.
-You can call Shyamalan casting his up-and-coming musician daughter as the world’s biggest pop star an act of shameless nepotism. You could also argue that in a movie about the extreme lengths a loving father will go to in order to indulge his musically-inclined daughter, it was the only thematically appropriate choice.
-As the dad of a sweet girl named Riley, who takes her to things I have absolutely zero interest in, who tries to encourage her passions even when they seem far-fetched, who would do almost anything to protect her from hurt or harm, who has been known to get frustrated at the parents of her friends when they do things to upset her, but who is absolutely ‘Trap’ Trailer: M.
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