Arsema Thomas opens up about joining the Bridgerton universe, Lady Danbury's relationship with the Queen, and dealing with imposter syndrome.
and experienced Thomas as the young Lady Danbury, with her large eyes that speak even when the actor has no lines. Maybe you’ve read about her, followed the press she completed in promotion of the show.
“I had a resume with high school plays and other little things that I had done here and there,” she tellsof her early acting experience. She knew that if she wanted to leave academia behind and pursue acting, she had to go all in. So, she packed up her things and moved to Paris, where she found herself as a 25-year-old among teenagers in her acting courses. “I was jealous because they had all this time to make mistakes and figure themselves out,” she recalls.
In prepping for the role, Thomas flouted time-accurate Georgian texts for more modern alternatives. “I read a lot of Toni Morrison to understand where that level of martyrdom comes from,” she says. For her, looking far into the past wasn’t necessary to understand the societal stakes ofdespite the 18th century setting of the story. “These are patterns we see constantly in history and society,” she says, specifically pointing at the civil rights movement.
Charlotte and Agatha’s final interaction comes at the end of a ball thrown by the King and Queen. Charlotte confronts her friend for rejecting a marriage proposal from the Queen’s own brother. An initially contentious tone makes way for resolution as it becomes clear that Charlotte finally understands the importance of Agatha’s agenda. It’s a nice cap to the back-and-forth experienced between the two women throughout the season, but Thomas believes there’s more story to be told.
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