Thresia realized that the batik artisans were willing to be invited for economic reasons, but they did not have enough power when they were treated inappropriately.
Please note that this article was automatically translated using Microsoft Azure Open AI and Google Translation AI. We cannot ensure that the entire content is translated accurately. If you spot any errors or inconsistencies, contact us atMOHAMMAD HILMI FAIQ, SOELASTRI SOEKIRNOThe following article was translated using both Microsoft Azure Open AI and Google Translation AI. The original article can be found inBatik is a beautiful memory for Thresia Mareta.
Thresia is busy preparing four brands to be sent to Paris to participate in the Trade Show at Premiere Classe, Jardin des Tuileries. This is a sidebar event of Paris Fashion Week. Nonetheless, the prestige and resonance of the event are quite promising. For instance, in the previous Trade Show, five brands that were supported by Thresia and her colleagues through Pintu Incubator were able to market their products alongside 350 other brands from around the globe in Paris.
"Therefore, the outside world, after we have gone through it, many doors have opened because we can be trusted and there is evidence to prove it. Our consistency exists," he said. The story inspired Thresia to do something that later gave birth to the brand Lakon Indonesia. Her main goal was to empower female batik makers in villages around Indonesia. She went to alleys in Cirebon, Garut, Klaten, Pekalongan, Yogyakarta, Surabaya, and even Madura, to search for batik makers. She met and directly observed their work, so she truly knew the conditions of the artisans' homes and villages.
During her time in elementary school, Thresia already had clothes for her Barbie doll. She made those clothes herself. Her mother, who is a tailor, also influenced Thresia's love for designing clothes.
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