Maybe Hollywood can’t quit Indiana Jones because the magic of his first adventure still hasn’t been recaptured. Not by a long shot.
, the fifth big-screen adventure for Harrison Ford’s aging academic hero, has the unmistakable feel of a swansong. But then, the same could be said for the previous film in the franchise,, which gave Indy a happily ever after with the woman who got away. And before that even, we had; if the title didn’t betray an intended finality, the closing shot of Ford literally galloping into the sunset surely did.
Indiana Jones has a way of turning movie executives into obsessive treasure hunters: Back and back they’ll go to the same plot of desert, hoping that maybetime, they’ll find another priceless relic glinting in the sand. All the sequels, including the less-valedictory, have gone searching for the summer-movie bliss Steven Spielberg and George Lucas summoned from their merging imaginations back in 1981.
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