The visual effects pros behind the year’s most innovative films share how they generated two Will Smiths, dropped 50 years from Robert De Niro and created the Disney remake's landscape
, was effectively "shot" on a small stage in L.A., using Steadicam, crane and other camera support systems tied to expansive locations viewed through virtual reality headsets. VFX house MPC created an estimated 58 square miles of CG landscapes, available for viewing in VR in real time using a gaming engine. Once they had the cut, it went to the VFX house, which created the final shots, including character animation and finished environments.
"There was also a lot of manipulation of the [actors'] bodies because throughout the [film] they basically gain weight as they gain age, so we had to take some weight out of them at the beginning of the project," he says.
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