'It turns out that what I want in a scam show is The Dropout, Hulu’s new series about Elizabeth Holmes, creator of the blood-testing company Theranos,' writes kvanaren
Photo: Beth Dubber/ HULU What do we want in a show about a scam? This year offers numerous opportunities to ask that question — Inventing Anna, WeCrashed, Super Pumped, Joe vs. Carole — but most of those series leave it unanswered, or answered in the negative . Part of the problem is that the scam show has too many points of appeal, and they’re all achingly obvious. Most of them are about recent, high-profile news stories, so there’s the real-life reenactment factor.
A key ingredient in the recipe for any scam show is a central figure who has galvanized people’s attention and put on such a successful demonstration of competence that everyone has given them money. But a great scam show needs an element of portraiture to illuminate that principal scammer. If they’re just monsters, or if they’re given flashbacks to backfill motivation and shore up their current predicament, it all fits together too neatly.
The Dropout’s Holmes is a careful collage of so many traits. She is cruel and unthinking, driven, insecure, desperate, utterly self-interested, focused; she is also a hilariously basic white kid with her iPod cranked up to 100, singing songs primarily drawn from Apple ads and punching the air in frustration and triumph.
The Dropout handles that transition from quixotic hopefulness into nightmarish denial so, so well. At the beginning, it’s almost a coming-of-age story in which the rising drama is less about what’s happening within the company and more about watching Holmes transform into herself. The decision to give us multiple scenes in which Holmes practices and experiments with her bizarre, artificially deep voice is particularly strong.
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