TheDeathofDickLong is so profane it might be profound a24
, the new film from Daniel Scheinert, without talking about who Dick Long is, and why he died and most of allhe died, is practically a Herculean feat of spoiler avoidance. Put indelicately via double entendre:That’s it. That’s all you get. To buttress this vague innuendo, let’s answer, why and how in equally vague terms: Dick Long , with whom the audience spends little time before he shuffles off his mortal coil, is one third of a trio comprising Zeke and Earl , his two best hee-haw chums.
For Scheinert, storytelling so profane that it inevitably winds around to profundity comes as naturally as breathing or breaking wind. Recall Scheinert’s last feature effort,plays a farting carcass with a perpetual case of morning wood.
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