From Isle of Dogs to The Little Prince, these are the most immersive animated movies that use stop-motion, ranked.
As an early tool for narrative storytelling, stop-motion allowed audiences to suspend their disbelief. Since the pioneering days in the industry, stop-motion has been incorporated in live-action films as well as entire movies being made with clay, paper cut-outs, and other unique methods artists have invented to bring this style of animation to life.
9 ‘The Little Prince’ The Little Prince is an adaptation that does not follow the traditional narrative but rather an interesting intersection that takes place with normal computer-generated animation following a young girl as she copes with moving. Gaining a meaningful connection with an elderly neighbor takes the protagonist as well as the audience on a venture through the familiar story based on the novel of the same name.
7 ‘Coraline’ Coraline can be considered a gateway into the horror genre and offers a unique look into an eleven-year-old girl, the titular Coraline . Coraline is an extremely relatable character, courageous and naive like the viewers, who explore her new family home. Though she finds what we all wished for, a hidden door leading into a mirage of a seemingly perfect world, she eventually must escape.
The film’s style helps to accentuate the darkness of the story. Pinocchio’s father, Geppetto, brings most of the emotional depth as a depressed parent who lost his son; the animation style really accentuates Geppetto's inner struggles and the melancholy his character feels. 4 ‘Anomalisa’ A unique perspective on stop-motion comes from the mind of Charlie Kauffman and his co-director Duke Johnson. Anomalisa is a realistic film that takes viewers on a character study of Michael Stone, voiced by Harry Potter actor David Thewlis, as the film personifies the mundanity of the human experience.
The Nightmare Before Christmas transports anyone watching it into the world of Halloween Town. A dreamy aesthetic takes over for the melancholy of Jack the Skellington, and the liminal world Burton puts you in feels natural. The dialogue is even delivered in a song-like fashion, with the help of Danny Elfman doing the singing voice and the soundtrack.
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