.sza took fans through an emotional seaside journey during her SOSTOUR stop in Detroit. Here's the full recap!
The just-launched SOS North American Tour fromrolled into Detroit’s Little Caesars Arena on Friday night for its third show, a honed and sleek spectacle before a packed house of about 15,000 ecstatic SZA heads who hadn’t seen the star in more than four years. It’s a step up from the theaters the singer was playing last time out, but she came armed with the music and visuals to validate what’s rapidly become a genre-straddling iconic status during the interim.
The conceptual focus was strong, and SZA and company — three musicians tucked on the stage sides, four dancers and plenty of pre-recorded augmentation — recreated the tunes with a smooth and convincing precision, rooted primarily in the chill ambience that’s SZA’s stock-in-trade.that maintained momentum and kept the surprises from start to finish.
“Gone Girl” took her back to the stage, where the SZA crew played a few songs — Doja Cat’s “Kiss Me More,” “Love Language” and a particularly soulful “Snooze” — on the ocean “floor,” in front of a giant anchor and images of jellyfish, sharks and other sea creatures streaming by. An assertive “Kill Bill,” meanwhile, was accompanied by silhouetted images of the dancers, swords ‘n’ all, fighting behind the screens.
Rather than close with a bang, SZA finished smooth but with power, particularly on “I Hate U” before a vibey “The Weekend” closed the main show. “Good Days,” with SZA back on the diving board where she started, above now-calm waters, served as the lone encore. She did not have much to say during the night, but the songs and the staging said everything and delivered a message that she’s truly made a next-level step in her career.
The SOS North American Tour visits Toronto on Saturday and has 15 more dates slated, wrapping with a pair of shows on March 22-23 at the Kia Forum in Inglewood, Calif.
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