TIME spoke to director Steven Soderbergh about what brought him back to the 'Magic Mike' franchise and why it's so rare to see a sexy movie at the multiplex these days
in London and Las Vegas). The two fight over the direction of the show and whether Mike’s bold assertion that he knows the secret to female desire holds up to scrutiny. Together, they create something sensual. TIME spoke to Soderbergh about why sex has largely disappeared from the big screen, how the conversation around sex has changed, and whyTIME: Why did you want to return to theI wanted there to be a real relationship at the center of the film for the first time between Mike and a woman.
And then he meets this woman, and they see each other in a way they haven’t been seen in a long time. But they’re not quite sure how to integrate it into this working relationship they’re about to have. We had a lot of conversations about whether the physical relationship should continue through the working process.
You had said in an interview that nobody wants to have sex in superhero movies. And I find it’s true. Everyone is hot, but no one is interested in sleeping with each other. It’s certainly a conversation that’s been happening in the entertainment industry. How are we going to make new movie stars if people’s primary motivation for going to the movies is the IP [intellectual property], not the actors? Nobody has the answer.. I’m wondering how that changes your process while you’re filming.
We wanted to reflect the conversation that we’re hearing. You want a situation in which nobody feels like something could go horribly wrong. But you also want some mystery. You don’t want a situation that feels proscribed. That’s the trick. And every two people are different, looking for different things. So it’s not like there’s a course you can take to solve this.
No, not really. It doesn’t affect how I am going to approach something. Cinema, to me, is an approach. It has nothing to do with where it’s being shown. It’s the approach the director is taking to the material. I’ve seen commercials that are cinema, and I have seen Oscar-winning movies that aren’t.
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