Maybe it’s the fault of “The Fault in Our Stars” that we assume, in the flourishing modern era of the young-adult genre, that one of the story’s romantic leads has to die in order to advance the dr…
) stands out in a sea of sameness. She makes this instantly known on her first day of class with her hippie-inspired name and colorful, ’90s-influenced garb, but also during lunch when she singles Leo out in the cafeteria to sing him “Happy Birthday.” Later, she crashes the football game to augment the cheerleading squad’s efforts with her acoustic cover of the Beach Boys’ “Be True To Your School.
Gae Buckley’s production design, Natalie O’Brien’s costume design and Bryce Fortner’s cinematography all widen their scope as the student body accepts Stargirl as their good luck charm. Likewise, the dull, drab color palette of their clothing transforms into vibrant, saturated tones. Editors Tracey Wadmore-Smith and Shayar Bhansali craft montages with a buoyant sense of energy and romantic verve, especially valuable in sequences where Leo and Stargirl are falling in love .
Greater yet, one of the best things about this adaptation is its deconstruction of the Manic Pixie Dream Girl trope. The film isn’t so much concerned about subverting it, instead examining its facets and offering a healthy alternative. The narrative’s centralized conflict isn’t solely about the inevitable loss of Stargirl’s newfound popularity, though there is some understated commentary there.
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