'Spider-Man: No Way Home' writers Chris McKenna and Erik Sommers discuss the spoilers and surprises involved in making sure Peter Parker's story wasn't derailed by fan service.
Explaining the ‘Spider-Man: No Way Home’ post-credits scenes: Here’s what they could mean for the future of the Marvel and Spider-Man cinematic universes.This was a story that was evolving even as we were making the movie. I remember being in Atlanta in November, I think, of 2020 and we had to really attack the introduction of these characters.
We originally had them sort of just show up as Doctor Strange finds them at Peter’s lowest point, but there just wasn’t any room to explore their characters there. Then we took out Doctor Strange from that, and it was Ned [and MJ] finding them — it just allowed these characters to not only enter in a fun, unexpected way at Ned’s Lola’s house but also have these very protective friends and play around with Andrew being his character and Tobey being this wise one.
Once we started writing it from from that scene, it really seemed to open it up to treating these characters as if they were on their own journeys. Tobey really wanted to lean into the idea that he was here to help [MCU] Peter. That really helped us flesh out how the two Peters are here to help in this critical period of our Peter’s journey — whether he was going to take revenge in the same way that they sought revenge, knowing it leads to nothing but darkness.
Because I come from a big family, for me, the the paradigm I kept on thinking about was three brothers — older brother, middle brother, younger brother — and really leaning into Andrew’s middle brother complex.Watching the three Peters interact and getting to know each other is particularly delightful.
With Andrew, it seemed like we were all on the same page in terms of coming from the darkness of where he was with the death of Gwen. There was a meta element, obviously, that made its way into this. He didn’t get his third movie. He’s trapped in the dregs of that bottom out. That’s why, when he has that moment [of saving] MJ, it feels like such a great win. I think that was [director] Jon Watts’ idea to really give him something that would help heal him from where he is right now.
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