The exhibition draws attention to Black and non-American artists.
Jack Whitten's "Slip Zone," a 1971 acrylic-on-canvas work, is featured in "Slip Zone: A New Look at Postwar Abstraction in the Americas and East Asia" at the Dallas Museum of Art through July 10.A refreshing and erudite exhibition that puts abstract art front and center is showing at the Dallas Museum of Art.fills the barrel vault and four adjacent quadrant galleries with prime, sometimes excellent, examples of transnational avant-garde art.
Jackson Pollock's "Cathedral," a 1947 enamel-and-aluminum-paint-on-canvas work, showcases the artist's signature "drip technique" style.The curators divide the exhibition into five thematic sections that delve into styles and ideas without regard to chronological order. Latin American avant-garde art takes center stage in “From the Figure to Geometry,” where nice examples of Brazilian Concrete and Neo-Concrete art, by three women masters, bring the past closer to view.
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