The LSO didn’t quite hold the score taut in this semi-staging of Janacek’s 1921 opera, but the orchestral flow of sound was unstoppable ⭐⭐⭐⭐ ✒️ AlexaCoghlan
Katya Kabanova, Barbican, review: Sir Simon Rattle’s rendition is gorgeously lush and expansive
The LSO didn’t quite hold the score taut in this semi-staging of Janacek’s 1921 opera, but the orchestral flow of sound was unstoppableJanuary 12, 2023 1:14 pm. Even as we hear the steel-grey swell and stir of the Prelude, we know we’re on borrowed time: waiting for Katya herself to return to the river’s edge, to vanish under the waters in her final act of despair and defiance. The tension is relentless.
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