When the single came out in July 1970, it kickstarted a new era for the Godfather of Soul
; it was like we got the basics of it, and then we hit the studio. With ‘Sex Machine,’ we had ‘bus time.’ We got a chance to kind of mess around with it, then we got in the studio, and he said, ‘Can I count it off?’ We started looking crazy. You can hear us in the back, ‘Yeah. Count it off.’ We didn’t even know that was going to be said.
“I heard someone use that expression [‘Take me to the bridge’] maybe 45 years ago, referring to the middle part of the song,”The J.B.’s go through change after change, following Brown’s lead — sort of like a live version of the way hip-hop producers transition through samples — and it’s all the more impressive considering they didn’t really know what they were doing.
Collins remembers running through it two or three times, but that Brown felt the best take was the first take, the one where the J.B.’s just divined what to play from the funky heavens. The single came out on King Records in the middle of July 1970, and the songwriting credits went to Brown, Byrd, and, as a thank you for his hustle, Lenhoff. “The studio here is a gas,” Brown, referring to Starday-King, toldin September 1970. “I don’t want to cut any more in Cincinnati unless I just got to.
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