Marvel may be trying to reinvent itself, but it's revealing that it doesn't want to change at all. Here's justbrizigs on the lingering sourness of Sam Raimi being eaten up by the maddening MCU machine:
director Scott Derrickson cut ties with the sequel production due to the usual reason directors part ways from a Marvel film—“creative differences”—Raimi was brought on to raucous, if nonetheless cautious, reception. On the one hand, we were suddenly about to receive the first Raimi-directed feature in far too long. On the other, it was for a Marvel film, where Raimi’s eccentric style was sure to be subdued.
is like a movie that is trying to be a movie; like a Frankensteined creation struggling to mimic the truth of its forebears. Nothing is particularly coherent. To understand what’s going on with Wanda Maximoff , you have to have watchedfor her calamitously villainous uprising are weak, while that plot clumsily duels with the America Chavez multiverse-hopping storyline.
Increasingly, it has felt less and less obligatory to stay conscious of the MCU output in the wake of. I am fully cognizant of the fact that my own perspective is partially to blame. I’m biased, I will outright admit it. I am very cynical towards Marvel now, and have written on this topic exhaustively. I am also so far removed from the plots and characters at this point that I am entirely emotionally disconnected from what I’m watching.
Still, the films have been undoubtedly floundering, and I don’t think it’s controversial to claim that. Once the MCU found its footing after a handful of shaky sequels and origin stories, they were reliable for producing films that pleased both the critical and commercial masses. It wasn’t untilthat Marvel noticeably dipped below its typical critical reception.
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