Rimowa’s ‘Hammerschlag’ design is inspired by a Nils Frahm piano piece

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Rimowa’s ‘Hammerschlag’ design is inspired by a Nils Frahm piano piece
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Caragh McKay has been a contributing editor at Wallpaper* since 2014. She was previously watches & jewellery director and is currently our resident lifestyle & shopping editor. Caragh has produced exhibitions and created and edited titles for publishers including the Daily Telegraph.

’s design philosophy is a tidy conflux of opposites: light and easy, durable and tough. So, its current association with musician, while the Hamburg-born composer, producer and pianist is an all-round musical experimentalist who thrives on artistic contradictions. – views its designs as ‘visionary tools of movement’, a philosophy you might also apply to any musical instrument, from the voice to the violin and the pianoforte.

Musicality aside, the new designs are gorgeously tactile and luxurious, and that Rimowa is reaffirming its standing as a high-craft luggage house among its myriad copyists is a welcome move. Ribbed polycarbonate-style designs are so ubiquitous these days as to slightly obscure the fact that Rimowa innovated the original design. So, whoever it was at brand HQ who suggested going back to its archive, and revisiting the original 1966 ‘Hammerschlag’

Subtly hammering the metal creates a moon-like surface, the craters capturing the light so that it moves around and then refracts. Most recently, Swiss watch marque Audemars Piguet worked with Florentine jewellerdesigns, we see the texture in relief, like little moonstones, so that the light is pushed up, over the curves.The cognac-leather handles and luggage tag also single out the 2024 Rimowa the case’s luxuriously sleek, mid-century look.

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