Review: Radu Jude upholds the righteousness of adolescence resistance in 'Uppercase Print'
Conceptually audacious Romanian director Radu Jude has two films opening in U.S. cinemas this week.
For the aesthetically economical but stoically piercing “Uppercase,” the filmmaker doesn’t deviate far from the theatricality of its source. A brightly colored television studio that houses a few different sets, each with oversized symbols of information technology , stands as sole location. Think vintage game show.
“I did it to awaken people’s consciousness,” says the valiant adolescent, whose simple act of protest was met with the state’s surveillance apparatus and blamed on the influence of Radio Free Europe’s broadcasts.
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