Production captures the core of an old-fashioned musical
The Sound of Music
Here, worshipful director Tracy Arnold treats the 1959 Broadway musical – which won five Tony Awards – as sacred ground. Scenic designer Chase Staggs’ use of huge scenery against a hand-painted backdrop of the Alps has an old-school look and feel, which is nicely accentuated by Cheyenne Nash’s dramatic lighting and complemented by Erin Pena’s character-defining costuming.
Music director David Blackburn is blessed with an abundance of talent in general, and the talents of Cassidy Thompson in particular. Her Maria is every bit the “will-o’-the-wisp” the sisters at the Nonnberg Abbey claim she is, and Thompson is in possession of the kind of voice made for’s title song and the romantic duet “Something Good,” which is shared with Creighton Moench as the Von Trapp patriarch.
Marinari is particularly delightful in “Sixteen Going on Seventeen,” with David Dech as love interest Rolf nearly stealing the number with his gorgeous tenor and charming demeanor. Bauer, who turns in an astoundingly authentic portrayal as the middle Von Trapp daughter Brigitta, nearly steals the show.
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