Review: A dark gig-economy fantasy and an enchanting debut

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Review: A dark gig-economy fantasy and an enchanting debut
日本 最新ニュース,日本 見出し
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  • 2 min. at publisher
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Leslie Pariseau reviews 'Temporary,' a dark fantasy of the millennial gig economy by Hilary Leichter.

So goes the maxim of the young, unnamed woman at the center of” In the gossamer territory Leichter has conjured, the insistence that gainful employment is superior to all else is exactly what seems to deprive the young woman of “the steadiness,” or that beguiling quality of assimilating into what one is meant to do foreverto work for a bank, to slice heirloom tomatoes and collect heirloom treasures, to wear cashmere and never have to clean your own house anymore, ever.

“Temporary’s” narrator works for a temp agency, where she is assigned to a series of jobs that unspool and accrete with delightful absurdity. She shines shoes at Grand Central Station. She hails taxis. She cleans the windows of skyscrapers and fills in for mannequins at a department store. She is a barnacle and a pirate and a chairman of the board . Shoes must be literally filled and pins are literally put into briefing books.

Leichter’s narrator occupies a substratum of a fantastical world where temps, who have their own creation myth , regularly fill in for all sorts of jobs while engaging in their own existential struggle — namely how to achieve permanence. A batty, playful satire, “Temporary” twists the jargon and anxieties of a millennial gig economy into a dreamscape of spires and scaffolding through which we swing as our narrator seeks out her steadiness.

Time and space do not apply in Leichter’s world, and her fabulist ability to transport her narrator from murder shack to bomb-dropping blimp situates her among writers whose work some might label magic realism, slipstream or even surrealist — writers like

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