‘Prey’ Review: ‘Predator’ Prequel Set in the Comanche Nation in 1719 Is a Slight Improvement in a Derivative Franchise

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‘Prey’ Review: ‘Predator’ Prequel Set in the Comanche Nation in 1719 Is a Slight Improvement in a Derivative Franchise
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A Northern Great Plains setting and a young tribal hunter out to prove herself almost make the latest 'Predator' sequel Prey look less schlocky than the others.

” series, stands as proof that Hollywood today can make a socially conscious movie out of anything. I offer an advance apology to fans of this dogged franchise when I say that over the last 35 years, it would be hard to find a strain of sci-fi action cinema more trashy or degraded than the “Predator” films.

Now, in an act of recycling you might think of as Hollywood composting, the Predator is back — in a movie set in the Comanche Nation in 1719, where Naru , a fiery young woman consumed with proving herself as a hunter, stands up against the male leaders of her tribe in order to rid the Northern Great Plains of a malevolent otherworldly visitor.

There’s not much mystery left to the Predator, who has been revealed in too many sequels too many times. But “Prey,” trying to introduce the creature to a new generation , goes through the game of treating his semi-invisibility as a kind of striptease. In the pristine wilderness of “Prey,” he now seems like a cloaked version of Bigfoot.

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