ComingSoon Sspoke with Mighty Morphin' Power Rangers: Once & Always composer Ron Wasserman about his work on the new special.
Ron Wasserman:
The trailer gives off a more mature, more serious tone. Was that difficult to adjust to for the series, or did you find it pretty natural? Not a clue. Not a clue. They just came in and said, “We need a theme for something we’re presenting to Fox.” And that was it. The next day they called and said, “They love it.” I said, “Who are we going to get to sing it?” And they said, “No, they love it. So we’re sticking with your vocals.” I’ve done guide vocals for real singers, but this is the first thing I ever really sang on. [Laugh]. And that started my career as a singer forBut no, I had no idea.
So from that point on, it kind of established that sound, and certainly that theme would never call for any kind of singing on it. It was prior to, but still wouldn’t have called for it. It was just a matter of coming up with the hook. Things like that just fly out of my head — all the stuff I’ve done. It’s my lucky gift,
That was total luck. I had left Saban already, but they called and said — literally, this is true — they said, “We have this show that no one gives a damn about. Do you want to just score them? Nobody’s even going to give you notes. Do whatever you want on it.” And I scored that thing at home in my living room with a Mac computer, maybe two keyboards, and to VHS tape.
Sometimes, you’re looking and then you ask, “Do you want it to be more modern? Do you want it to be a little bit throwback? Do you prefer acoustic?” But I always find stuff. On a show like, I think I did maybe five or six music cues per section that would need it and started dialing in the sound. Then, when we were on the mix stage, they always had three options. Occasionally, all three were not right. Then I’d run with my laptop and a little keyboard to somebody’s office at Warner Bros.
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