Hannah Tindle is Beauty & Grooming Editor at Wallpaper*. With ten years of experience working for media titles and brands across the luxury and culture sectors, she brings a breadth of knowledge to the magazine’s beauty vertical, which closely intersects with fashion, art, design, and technology.
– the latest film by singular Greek director Yorgos Lanthimos, winner of Best Makeup and Hair at the Oscars 2024, as well as on the– where the hair of protagonist Bella Baxter is described as ‘silk on a translucent, glowing egg’.
When Stacey signed on for the project, she was given simple instructions as to how the hair should be created almost immediately. ‘I received an email early on that just said “no”! So I ended up using micro braids in Emma’s hair and attached real hair wefts of different lengths for different parts of the story. They were made in a natural brown and dyed black to match Emma’s hair.’ . ‘The black hair wasn’t originally intentional; we knew it would be dark, but it went almost black.