“Traveller,” the first major screen credit of “The Crying Games’” Neil Jordan, Canadian Denis Coté’s debut feature “Drifting States” and Arturo Ripstein’s “The Place Without Limits,” a 1977 Mexican…
“Traveller,” the first major screen credit of “The Crying Games’” Neil Jordan, Canadian Denis Coté’s debut feature “Drifting States” and Arturo Ripstein’s “The Place Without Limits,” a 1977 Mexican LGBTQ movie, are three titles featured in the inaugural lineup of theAnother, 1954 Egyptian transgender comedy “Miss Hanafi,” underscores the wealth of discoveries offered by Heritage Online, a digital database and screening room collating details of classic film catalogs from all over the...
The film that launched Coté’s career as an international filmmaker, winning the Golden Leopard in Locarno’s 2005 video section “Drifting States” has been restored by Elephant, the Quebec-state-backed fund focused on the rediscovery, preservation and restoration of French Canadian film history. The first Heritage Online lineup runs a vast gamut. Some titles are established classics: James Ivory’s Academy Award nominated “The Bostonians,” part of the Cohen Media Group’s Merchant Ivory Productions library; Terence Davies’ BFI-handled “Distant Voices, Still Lives”; Swiss auteur Alain Tanner’s 1983 “In the White City”; and new restorations in the Cohen Film Collection, made by the Cineteca di Bologna, of Buster Keaton’s “College” and “Go West.
Other titles made a splash in their time, such as Ivorian Coast director Roger Gnoan M’Bala’s “Au Nom de Christ,” a satire of African religious cults co-produced by Switzerland’s Amka Films that won best film at the 1993 Fespaco Film Festival.
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