Perry Mason gets his Saul Goodman on and finds himself on the “right” side of the law and the wrong side of justice.
In every great mystery, the world is an onion. And somewhere, slumped in an office chair behind a moving wall of light, shadow, and cigarette smoke, there’s a “detective” slowly peeling back its putrid layers. Each one reveals a fact or clue or piece of violent aftermath that, in turn, reveals some nasty hidden truth of the world. And when we finally get to the center, all we’ve got to show for it is the full view of a grand illusion.
Our next scene with Mason begins with a nightmare. Emily Dodson is in his kitchen, drowning where she stands, trying to get some words between gargling, retching gasps. As she falls to the ground, Mason jolts awake and we come upon a scene of an empty bottle next to an opened envelope from old P.I. pal Pete Strickland . It’s Dodson’s death certificate, and it reads “suicide by drowning.
Later, Mason and Della present a reasonable settlement deal to Sunny Gryce, but it ain’t enough for this asshole. He wants to crush the competition. “You and I know firsthand mercy doesn’t win a war. Do I have to find another fighter?” What he doesn’t understand is Mason can finish the job, and he will, he just doesn’t have any delusions about what that means.
“Who the fuck wants to be any part of that?” Mason retorts, but he knows the answer doesn’t matter. In this system, justice is an illusion by design, not by error, and everyone has to be part of it, whether they want to or not.
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