Only Murders in the Building co-creator John Hoffman reveals where the hit Hulu series could go next in the already-renewed third season.
Spoilers ahead for the Only Murders in the Building Season 2 finaleOnly Murders in the Building co-creator John Hoffman teases what's next for the show, in terms of its story themes. Led by the trio of Steve Martin, Martin Short, and Selena Gomez, the mystery comedy made an instant splash when it premiered on Hulu late last year. The series was quickly renewed for a second installment, with Only Murders in the Building season 3 receiving a similarly speedy renewal.
SCREENRANT VIDEO OF THE DAY But as the more expansive Only Murders in the Building season 2 demonstrated, a lot of the show's charm is owed to a writing team that knows when to sideline Gomez, Short, and Martin in favor of a now familiar recurring guest roster. Using the central Arconia setting as its launching pad, the Hulu hit has examined fraught parental relationships, living with disability, and a general sense of loss that's hard to verbalize.
In Season 3, we’re obviously making a leap into the theater, and around Oliver being a little bit more central in the emotional arc.
Hoffman, who created the show with Steve Martin, gets right at the difficulty of the Only Murders premise. For the season 2 finale, Rudd's character, Ben, drops dead and it strains credulity that this has happened for a third time to these exact people. But it sounds like the writers will lean right into that, perhaps asking the question of how all these deaths have offered the protagonists fame and adoration and indeed the companionship that they sought early in the series.
In the same interview, Hoffman jokes that Only Murders in the Building can run for many seasons. In its current format, of bringing in great special guests and leaning relatively heavily on their recurring roster, the comedy has perhaps found a way to secretly extend its longevity. The individual episodes are strong and even remarkable, while the endings have so far been a delight, which suggests that there's a strong foundation in place for anything that Hoffman and his team choose to do.
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