Once Upon A Studio writers and directors Trent Correy and Dan Abraham discuss which Mickey they use and the technical challenges of the short.
Summary SCREENRANT VIDEO OF THE DAY SCROLL TO CONTINUE WITH CONTENT Once Upon A Studio is the culmination of 100 years of magic and animation, celebrating Walt Disney Animation Studios' milestone anniversary. In the short, Mickey and Minnie Mouse free themselves from pictures on the wall after the studio clears out for the day. The pair gathers over 500 other Disney Animation characters from all around the studio for a group photo.
And you know what, I have to say, Dan and I were just so lucky because Disney has these amazing technicians and artists and production folks that we really got to just focus on the story and making the best moments and the team came together and just made all that work. So there were technical challenges, but I think at the core of all that was just communication.
Trent Correy: That was the fun part. I mean, it turned into a giant jigsaw puzzle in the story room. We had our whiteboard of characters and Dan and I with a Sharpie, and really just trying to make each other laugh and say, "Hey, if we use so-and-so here, this would work." Dan Abraham: Oh my gosh. Oh my gosh. Honor. Privilege. We didn't take it for granted on any step of the way. When we came up with the idea to use Feed The Birds in our short, it was the head of our music department, Matt Walker, that we saw him in the hallway one day and he said, "Well, why don't we get Richard Sherman to record that."
Dan Abraham: And that gets a little tricky actually, because there are thousands of people that worked at this studio, and we have said before that, boy, every single person that's ever worked here should be in the credits of this short, because that's why we made this, that's how we made this. That's why we work at where we work is because of their work and their dedication.
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