In conversation with Mrs. America's costumer designer, Bina Daigeler.
and Betty Friedan, and the feminist evolution it represents. There’s tension between the black feminists and the white feminists fighting for the ERA. There’s more about Shirley Chisholm, the first black woman congressperson and major-party presidential candidate, than you’ll ever find in most history books. And there are the complex storylines ofeasily merits a second watch, if only to appreciate costume designer Bina Daigeler’s handiwork.
Don’t laugh, but she was wearing that in real life. Especially in moments like that, when she was [in the public eye]. It was really creepy. She was a really creepy character.] For me, the crucifix was very important. She made such a statement by wearing it at that moment. That was like Phyllis—she always smashed everything in the faces of everybody. She just did it. She wasn’t afraid. Like,
We were very careful to make sure the pins were historically accurate. Dahvi Waller and the art department checked over each and made sure there was no mistake.] is such an interesting character, because she’s this in-between point of the two sides. I noticed when she stood up from her drinks with Phyllis, they’re wearing basically the same outfit. But Phyllis is wearing a skirt, and Jill is wearing pants.
Ah, yes. I have to say that I cheated there a little bit. It wasn’t all polyester. There’s a lot of cotton, silk, tulle, and linen going on, to make it more comfortable. And I bought a lot of vintage fabrics that were higher quality. But you know, it’s always the same. You shoot the winter scenes in summer, and the summer scenes in winter, so it’s never easy.More than a say. You develop the character together, because they have to feel real.
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