'While mother and daughter are often positioned at odds with each other, the film takes them on a cathartic journey, from a relationship fueled by misunderstanding to one charged by absolution and excitement for a new idea of the future.'
There is an unspoken language between mothers and daughters. In Channing Godfrey Peoples’ charming debut feature film, Turquoise watches her daughter Kai as she talks to a boy at school. She doesn’t berate or question her; she just stares in disapproval. It’s the kind of stare only a mother can give, a glance that speaks volumes when words may fail. Turquoise and Kai’s relationship is the film’s heartbeat, and Peoples executes it with precisely the kind of nuance their unwavering bond requires.
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