In a new exhibition, the Museum of Modern Art re-stages the studio inside the museum alongside the 1911 painting:
The red vibrates softly, almost musically, humming with energy and flowing in every direction the eye travels. is a unique and contradictory image that has challenged patrons and critics since its creation.studio, just outside Paris, which the artist designed for himself just a few years before. The image is, well, very red—a rust hue covers the studio’s ceilings and walls.
The work remained in Matisse’s possession until it was purchased in 1927 by aristocrat David Tennant, who displayed it in London’s Gargoyle Club. The Museum of Modern Art in New York acquired it from Tennant in 1949.that attempts to recreate the actual studio within the museum itself. The show presents the titular painting alongside many of the real-life objects and canvases it depicts.
MoMA’s chief curator Ann Temkin described the curatorial process as a “treasure hunt”—one that has some notable prizes., all featured in the painting, are on display, as well as a never-before-seen terra cotta that appears on the studio table.and pinpointed three details that just might help you see it in a new way.Henri Matisse,Matisse loved red—it was a color that he returned to again and again. Here, he uses it in a subtle and unexpected way.
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